The distinction this collection draws is between living in a landscape and visiting one. In the houses admitted here the wild is not scenery arranged behind the terrace; it is the space the guest occupies, with the house as the point from which it is entered.
The sensor is the relationship between house and land: concession or access published by the operator, guiding as a core service rather than an add-on, and a day whose shape is set by the animals and the light. Where the wild is reached by road and returned from by dinner, the house is a hotel near a park.
The question is declared, the sensor is published, and the ground travels with the verdict.
